Completed Pac-Man Peysa

At long last, I have finished knitting the Pac Man Peysa!
Doc modeling the Pac Man Peysa in a bookstore

I’m pretty happy with how it turned out!

As you might recall, I told Doc that I would knit a sweater for him if he designed one. While the sweaters I had been knitting for myself were more traditional-looking Icelandic sweaters (lopapeysa), Doc of course designed a Pac-Man Peysa! He used http://knittingpatterns.is/ to do it, which is a super fun tool for designing Icelandic sweaters (although it is ancient and runs on Microsoft Silverlight)

Of course, the pattern had a lot of difficulties in it, since it was designed by somebody who had never knitted before (that is to say, Doc). I didn’t think about that, but it really made a difference to how things worked out. After I complained, Doc would make modifications based on my feedback and it would be much easier to implement.

I had initially thought that it was important to be super faithful to Doc’s design; but when I would bring up a part of the pattern that was not ideal for knitting, it would turn out that he didn’t even particularly want it that way – he just designed it like that because he didn’t know it would make it more difficult. So the pattern went through many many changes, and the final pattern is something we collaborated on.

It was still difficult in many ways, like having all the different color ghosts (instead of one color of ghost which would have been much easier), but that is something we weren’t willing to compromise. That’s almost the whole point of the sweater! And I’d say it was worth it.

If you want to download the pattern we generated from knittingpattern.is, it is here:

pac-man-sweater

Note that the pattern doesn’t indicate the accurate number of stitches in the sleeve pattern, because it doesn’t show the increases. However the instructions do accurately say to increase every 6 rows. Use your judgement, and don’t do an increase in the middle of Pac-Man’s face or something, that sort of thing, and it will still work out fine.

Here’s some more photos of Doc wearing it:

Doc modeling the Pac Man Peysa

Finished Pac Man Peysa!

And here are some of the in-progress photos to reminisce over:

Iceland 2017
Me knitting the neckband of the peysa
More Pacman peysa progress
In progress shot / closeup of the sleeve
The Pac Man Peysa is getting close to done...
In progress shot from when I was still working the yoke

Nashville Trip

Welp I’m travelling in Nashville this week and yarr my comic is so delayed! But next Sunday I’ll have it up.

Nashville has been fun thus far, it has a pretty good live music scene and we got to hear some great performances at a Singer-Songwriter Night at a bar in midtown, along with a bunch of other stuff. That is something I’ve always really admired about places like New Orleans and Nashville, is how much they really value music, and it shows.

However, the bad side of Nashville is that the cars are absolutely out of control here. Like they don’t care if you’re crossing at a crosswalk, or if you have the walk sign on for pedestrians, they DO NOT SLOW DOWN AT ALL when approaching crosswalks or walk-signs. So cars turning left at an intersection, for example, will just accelerate straight into pedestrians crossing with the lights and with the pedestrian crossing sign on and everything. It is terrifying and the most horrible thing ever. I actually had to dive out of the way a couple of times because otherwise I would be dead. I have no idea how everybody in Nashville isn’t already dead from being run over by cars.

Because the weird thing is, lots of people seem to walk in Nashville! Like everybody, everywhere, is walking and there’s lots of sidewalks and certain neighborhoods would actually be very walkable if not for the fact that every single car-driver is apparently hell-bent on murder. It is such a sad example of how car culture just ruins things.

Oh, well. Have another screenshot.

KEEP MOVING!

Aza Guilla

Aza Guilla

Working on my Halloween costume for this year. This year I decided to be the Lady of the Long Silence, Aza Guilla (from Scott Lynch’s Gentleman Bastard series).

Since she is a goddess, and probably not real, we’re not really told what she looks like. The world in the books is based on late medieval / early Renaissance Italian city-states, so hence that influence of fashion. She is said to wear a veil, hence the medieval European silk veil. And her priests wear featureless silver masks called “the sorrowful visage,” so I decided that this could be in reflection of Aza Guilla’s own aspect. And it works as a metaphor; the goddess of death’s face is a mirror.

Aza Guilla

And I thought silver gloves to match the mask would just be fun 🙂

I might need to get a wimple, though, to complete the illusion of the skin being a mirror. Hmmm!

Aza Guilla